My paintings are like notes from the Unconscious, as I try to understand the experience of this sensual world.
Being a psychiatrist, that work involves searching for the deeper narrative behind and below what my patients describe to me. Seeing it, feeling it, calling it by name and finally holding it long enough to work with the story. The same process is happening in my art practice.
Although my style has become more unbound, organic and sculptural over time, the underlying theme has always been a meditation on the felt experience of human being. The felt experience (as opposed to the analytical deconstruction of our lives) is what is both terrifying in it’s painful grandeur as well as electrifying in its promise of beauty and truth.
Our lives are surface phenomena that suggest a deeper story and each painting seeks out the bedrock arc of a day, a week, a year as may be. Just as each session of psychotherapy seeks the resonances from the Deep of the human Unconscious. I gave up trying to completely separate my work as a psychiatrist and my work as a painter once I realised they involve a similar seeking after Depth. Truth. Presence.
The universal language of colour, figure and form coalesce into these blocks of Time called “paintings”, Time and Space apparently captured inside 4 lengths of wood and heavy layers of paint, accented with natural objects such as stones, bark and other detritus.
Each painting has an emotional tone and a degree of conflict between chaos and order, just the same as each day provides a similar interplay of head and heart, bookended by dawn and dusk. “
“My technique involves “hitting” the canvas and leaving it. Hit and run. Find a place to recuperate and rehydrate as my canvases are often large and I travel through many layers over days to weeks. I wear a gas mask and sweat it out. The music is probably on the strong side.
I collaborate with the forces of perseverance and win over the better angels of our nature : experience, inspiration, freedom of action, daring, refusal to give up on a painting. I am a veteran of many failed campaigns in which the rubbish picture becomes the underlay of a memorable success.
My technique is “Get Out of Your Own Way”…….if you have an eye for colour and form, and you can turn down the volume of your L hemisphere conceptual mind, the painting will emerge in its own way. This is the most enjoyable part for me….the suggestion of standing aside as something makes its mark on the canvas. Whether you call it the Unconscious, Nature, Spirit or a slice of the Narrative of my patient that day , the joy of painting is standing aside and seeing what has manifested. Its the antithesis of narcissistic self-absorption.”