Recent and buiding evidence has shown how we are all running on timed patterns of rising and falling neurochemicals. Our hormones, our neurotransmitters, our insulin sensitivity are likely following a set rhythm. From there you can imagine how our levels of fatigue and motivation and anxiety, to name a few parameters, are interacting in a highly integrated way. I was amazed to see recent evidence of why we have that 2-3pm slump of concentration. It seems a part of our brain is basically running low on dopaminergic stimulation. As an ADHD psychiatrist, it’s relevant to the timing of medication. Looking at things from a distance, you see a stunning array of criss-crossing lines. Now we back to one of the central motifs of my art for many years : the Lattice. It’s a motif of imagery that captures so much of the aesthetic side of our understanding of the sciences.
I became interested in nets and lattices as a metaphor for energy of all kinds some years ago. As an artist whose influences range from physics to Buddhism to psychiatry, energy is the common thread :emotional energy, the multiple energy forms in physics, the energy we confront in dealing with mental conflicts etc. So often times in my work you will see a colour and a superimposed interlacing lattice of lines. This is where the motif comes from. This painting is an example of these ideas from around 2011.
It’s fairly obvious that I have a thematic preoccupation with “energy fields”. As several people have implied in their comments, what am I on about here? In our emotional lives, in our scientific discourses and in our colloquialisms, we are immersed in the concept of the energy field.
In physics, every theory engages the concept of the field, whether it be gravitational, electromagnetic, or quantum fields. Ancient Chinese medicine speaks of energy fields or meridians of the body. We hear of auras and chakras whose fields interact. We have the fields into which our knowledge is divided. We have the field of dreams. We have countless metaphors that engage the power of the energy field. In my work, colours and form are a metaphorical language that attempts to understand our archetypal obsession with energy fields.